Worked on "Hello Ladies" and "Bad Teacher"
Topics, sessions and talks
Discover the essence of a fulfilling life with Lee Eisenberg's 'The Point Is.' Delve into the difference between earning a living and living a life, the impact of storytelling, and creating a meaningful narrative. It's a thought-provoking journey to finding satisfaction and purpose in all aspects of life.
First, there was The Number, A Completely Different Way to Think About the Rest of Your Life. It wasn’t yet another how-to investment book so much as a groundbreaking look at our uneasy relationship with money in general, financial planning in particular. The Number started a national discussion about saving for the future and shaped how the financial industry marketed its products and services.
Lee Eisenberg is a American television writer, producer, and director, renowned for his contributions to the U.S. version of "The Office" and the film "Year One." With a career that spans various successful projects, Lee offers valuable insights into the world of writing, creativity, and the entertainment industry. His extensive experience and collaborative spirit make him a compelling voice in the field. Lee's journey in the entertainment industry began with a passion for storytelling and a keen understanding of character development. His collaboration with writer Gene Stupnitsky has been a significant aspect of his career, resulting in a series of acclaimed projects that have resonated with audiences. Together, they have crafted narratives that blend humour with poignant observations of everyday life, a hallmark of Lee's writing style. Throughout his career, Lee has faced the challenges inherent in the competitive world of television and film. Navigating the complexities of the industry, he has consistently demonstrated resilience and adaptability, qualities that have enabled him to thrive in various roles. His work on "Hello Ladies" and "Bad Teacher" further exemplifies his versatility and ability to engage diverse audiences. Lee's contributions to the entertainment industry have not gone unnoticed. His work has garnered critical acclaim and a loyal following, establishing him as a respected figure in television and film. His ability to craft compelling stories and his dedication to his craft have earned him a reputation as a talented and insightful creator. In addition to his professional achievements, Lee is a sought-after speaker on topics related to writing and creativity. His experiences offer a unique perspective on the intricacies of the entertainment industry, making his talks both informative and inspiring. Whether discussing the nuances of character development or the challenges of producing engaging content, Lee's insights are invaluable to anyone interested in the art of storytelling.
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frequently asked questions
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Lee Eisenberg draws on his background as a television writer and producer to frame sessions around narrative construction, using the contrast between "earning a living" and "living a life" as a structural device to guide audiences toward building a meaningful personal story.
Lee Eisenberg speaks on finding life's purpose, the relationship between money and financial planning, and the role of storytelling in creating a meaningful narrative. He is best known as a writer on the US version of The Office, and as the author of The Number, which shaped how the financial industry marketed its products and services.
No. PepTalk adds no booking fee, so you pay the speaker's fee and nothing beyond it. The service, from shortlist through to contracts and event-day logistics, is included. For repeat or multi-event bookings, PepTalk can agree preferential rates with your procurement team.
Share your event date, audience, format, objectives and budget, and PepTalk sends a hand-picked shortlist within 24 hours. Each suggestion comes with a profile, a fee and a recommendation on the strongest fit. Once you choose, PepTalk handles contracts, travel and logistics through to event day.
The typical fee range is the speaker's standard in-person fee in their home market, shown in their local currency. It moves with format, location, date and session length: virtual sessions and shorter slots usually cost less, while international travel and peak dates cost more. Send your brief to PepTalk and the team will confirm the exact fee in your currency.
Not all of them, and it makes no difference to your booking. PepTalk's network of 15,000+ speakers covers talent the team works with directly alongside speakers represented by agents and agencies worldwide. PepTalk approaches the speaker, negotiates the fee and handles contracting either way.
Three to six months ahead is comfortable for most events, and 12 months is better for large conferences, peak-season dates or one specific in-demand speaker. Shorter timelines are workable, and PepTalk regularly fills last-minute and replacement bookings within days. Availability is the constraint, so get in touch as soon as you have a date.
